Best Movie And News ⚡Apps In Bangladesh With Huge Collection of Movies, News, Fashion, Food and Lifestyle and many more. Enjoy High Level Download And Watching Now.
ছিল না রিক্সাওয়ালা বা কাজের মাসিদের সিনেমা আর ভদ্রলোকদের সিনেমার মত বিভাজন | গ্রাম আর শহরের সিনেমা ভাগাভাগি ছিল না ‚ আজ এতসব আসার পর ” স্বর্ণযুগ” নিজের ভয়ে পালিয়েছে ‚ এই এতদিনের বিবর্তনে পেয়েছি সাদা কালো ছবির বদলে রঙ্গীন ছবি ‚ দীঘার সমুদ্রর পরিবর্তে থাইল্যাণ্ডে কার্ভি দ্বীপে নায়ক নায়িকা গান গায় ” কে তুই বল ” | আর কিছু আছে‚ যা শুনে ফেসবুকে বোদ্ধা পাব্লিকরা টিটকারি মারে | কেন ” স্বর্ণযুগ” এর প্রসঙ্গ এল ? সামনে সরস্বতী পুজো‚ আর এখনও মানে ” স্বর্ণযুগ” না থাকা সত্বেও সরস্বতী পুজোর দু দিন দারুন ব্যবসা হয়।
এবার সরস্বতী পুজোয় তিনটি ছবি‚ তার মধ্যে আবার এক নম্বর প্রোডিউসারের দু দুটো ছবি ‚ দু দুটো ছবির সঙ্গে একা লড়াইএ নেমে পড়লেন জিৎ | নিজের প্রযোজিত ছবি ” ইন্সপেক্টর নটি কে ” ‚ প্রথমে এ ছবির পোস্টার দেখে এই ছবির নাম উদ্ধার করতে দু দিন লেগে গেছিল‚ তার পর নাম উদ্ধার পর মনে হলে এর মানে কি ? কিন্তু তার পর মনে হলে এই নামের পেছনে নিশ্চয় কোন রহস্য আছে |
ZEE5 GLOBAL UNVEILS THEIR FIRST FOUR BANGLADESHI ORIGINALS
‘Mainkar Chipay’ set to release on November 9
ZEE5 Global, the largest OTT platform for South Asian content, announced the launch of their first Bangladeshi original, “Mainkar-Chipay” at a virtual press conference earlier today.
অভিনেতারা বেশ ব্যস্ততার জীবনযাপন করেন এই বিষয়টি আমরা সকলেই অবগত। তারা তাদের দিনের বেশিরভাগ শুটিং ব্যয় করে এবং বাকী দিনটি জিম সেশন এবং অন্যান্য পেশাদার প্রতিশ্রুতি দ্বারা গ্রহণ করা হয়।
Nora Fatehi (Nora Fatehi) makes headlines with her groovy songs. And now after being part of many successful songs, Nora is set to perform in Street Dancer 3D this years
Nora came into the discussions after the hit television reality show, Bigg Boss. The actress had said that she is a very big role of Salman Khan and that is the biggest reason that she said yes to being a part of the show.
Nora has been seen in songs like Dilbar, Saki Saki and Kamariya and her dance moves have made everyone crazy. Her film Street Dancer 3D will be released on January 24, 2020, along with Varun Dhawan and Shraddha Kapoor.
Nora keeps on interacting with her fans on social accounts. This picture of her without makeup is viral on the internet.
This is a picture
of Nora’s holiday, which she is seen enjoying on the poolside!
Nora also spends a lot of time with her friends. This picture is of her close friends. Not a very candid selfie?
Bollywood and south actress Neha Sharma’s Instagram is quite a visual treat. The stunner never really misses out on posting ravishing pictures and videos for fans. She was first seen in Telugu film’Chirutha’, back in 2007 but her maiden Hindi film was ‘Crook’ directed by Mohit Suri which came out in 2010. After that, she has acted in several
Now, remember, I am NOT an expert on Malayalam film industry. I’m just a beginner. So this is going to be a summary of “this is what I have heard, but I don’t know if it is true”. However, I do want everyone to read it anyway. Those who know what I am about to say so you can correct me and provide gobs more background. Those who don’t so you can get a baseline for how very messed up a film industry can get.
Kerala! Land of Communists and Unions! It’s routine in Kerala for there to be a mass strike, of the kind that shuts down the whole state. So routine that it’s used in films as a minor plot contrivance, not a main plot point. Some union goes on strike, all the other unions go on strike in sympathy, and everyone gets a free day off work, woo-hoo!
Because of this, the real power in the Kerala film industry is the unions, not the studios or even the stars. The Association of Malayalam Movie Actors was founded in 1994 and largely controls the industry. If you are shunned by them, you cannot get work.
Now, a brief inaccurate history of Kerala and Malayalam cinema. Kerala, the Malayalam speaking state, is unlike every other state in India. Not in a general “all regions are unique” kind of way, but like really REALLY different. It is a natural seaport, surrounded by mountains. It has trade and cultural connections to Africa and the middle east that are unique to this region and go back a thousand years. Supposedly Christianity came to Kerala with Apostle Thomas shortly after the death of Christ. I don’t know if it really was Thomas who brought it, but it was certainly shortly after the death of Christ. Put it this way, there were Christians in Kerala before there were Christians in England. Similarly, Islam came to Kerala through their African/Middle eastern trade routes, not down from Afganistan as it did in other areas of India. And then there’s Communism. Kerala is the heartland of Communism in India. During all those years when one party ruled all of India, Kerala was the exception. Maybe (or probably) because of that, Kerala is the exception in a lot of ways. Their literacy rate is 94% while the rest of the country is at 75%. Their divorce rate is the highest in the country as well. And there is one particular community within Kerala, the Nairs, who are traditionally matriarchal with women choosing their husbands and inheriting the land.
See? Wetlands and natural harbor, slowly building to hills that cut it off from the continent around it.
With this background, of course their film industry will be different as well. They have always been highly original and groundbreaking in their topics, pushing the bounds of what is socially acceptable, but they did not gain national and international attention, as well as a healthy vibrant independent industry, until the 70s and 80s. The 70s and 80s saw the rise of complicated detailed screenplays and a culture in which the scriptwriter was the star even above the director. It also saw the rise of the two biggest Heroes of Malayalam cinema, Mohanlal and Mammootty. Their films were deep, they seriously dealt with rape, abuse, caste violence, all kinds of things. They also, and this is why I like Mohanlal and Mammootty the best, were perfectly happy to stand aside and let the heroines take the lead. Malayalam cinema is both the starting place for great strong heroines, and the place where heroines of other industries got some of their best roles.
And then there is Dileep. He is a film generation behind Mohanlal and Mammootty, came in at the start of the 90s. While Mohanlal and Mammootty had a string of classic social dramas behind them, Dileep came in with comedies. Which isn’t to say he couldn’t do social drama, or that Mohanlal and Mammootty didn’t do comedy, it’s just not what they were known for. Dileep’s films of the 90s were blockbuster hits, crazy clever comedies with a lead who was both funny, and charming, and a little bit attractive.
But this is Manju Warrier’s day, where does she come in? Manju was a massive female star. She debuted at 17 in 1995 and was immediately popular. A year later, she co-starred with Dileep for the first time. She worked with him multiple times after that, along with the other top names of the time. She was big enough that she could be a solo lead as well, the biggest name in the film. And then at 21, she married Dileep and retired, her most acclaimed role releasing post-retirement.
Manju and Dileep, he is 11 years older than her
All of this is public knowledge. Now I am going to get into the scuzzy rumors part of things. Supposedly, once Dileep became big in the mid-90s, he took it upon himself to organize the industry. He made sure films released without conflicting with each other, he made sure the government didn’t interfere to much, he did all the boring messy work. And he also, supposedly, started the culture of “shunning”. If an actor said something wrong or did something he thought was out of line, he would have the AMMA declare them banned from working. Or, the Kerala Film Chamber, the producer’s wing. This is unique to Kerala, other film industries might have unofficial bans, but in Malayalam cinema, it is real and publicized.
For instance, Rima Kallingal, the outspoken actress, was “banned” by the Kerala Film Chamber after appearing as a VJ on a TV show, which I guess is against union rules for actresses? This was real and accepted and publicized by everyone and Rima’s career suddenly went from on the rise to almost dead. But of course, it is easy to find examples of actors who were less outspoken, less “uppity”, and less female who were NOT banned for the exact same kind of behavior. Rumor has it that Dileep and his gundas did far more than just these “bans” to keep people in line. And that this was an accepted part of the Malayalam film industry, you could get wonderful groundbreaking films made, you could have amazing challenges as an actor, you could do all these things, but you also had to follow the rules and respect your elders.
Rima is a very good actress also, watch 22 Female Kottayam
Again, this is all rumor. It is true that the Film Chamber and the AMMA routinely banned actors and actresses in a way that no other film industry really does. But Dileep controlling things is just rumored, and that he used the bans as a personal weapon is also just rumor.
And now, more rumor! Supposedly, Manju Warrier was traveling doing personal appearances with some other actors and actresses after her retirement. Supposedly, a young new actress who was on tour with her told her that her husband was well known to be having an affair with his new co-star, Kavya Madhavan. Dileep tends to run through actresses, he worked with Manju a lot, and after she retired he moved on to Kavya Madhavan. This is fact. Also fact, after Manju divorced him, he quickly married Kavya Madhavan. Whether there was an affair or not, obviously rumor. And whether the young actress broke the news to Manju and caused her seemingly sudden decision to divorce Dileep in 2015, also rumor.
And now dragging this back to not-rumor. In February of 2017, the young actress who was widely said to be the one who told Manju about the affair was kidnapped and raped. Or molested, it’s not clear. But bad BAD things. A group of men pulled her into a car and drove to a remote area, did whatever they did, and then dropped her back. Why did she get into the car? Because she knew the men, because they were part of the Malayalam film industry, because they were producers and hangers on who worked for Dileep. They didn’t bother hiding their identity, because they recorded what they did to her and thought fear of this recording being seen would keep her quiet. But she didn’t keep quiet.
The funny thing is, I keep saying “the actress”, but we all know who it was. When the story first broke, her name was not kept private. In fact Prithviraj, a co-star of hers, issued a statement of support. But somehow the police or media or someone decided we should all pretend we don’t know her name any more, so I will go along with that. In the aftermath, immediately Dileep was fingered. The men were known to have worked for/with him, and everyone knew about the story of this actress breaking up his marriage. More than that, there started to be a bubbling underground sense that this sort of “punishment” was not all that unheard of. The actress got out of line, she was hurt and blackmail acquired, now she won’t get out of line again. I really want to say her name, because not saying it makes me feel like I am going along with the blackmail, like somehow I think there is something to be ashamed of for her in what happened. She is a brave person who turned the whole world upside down, she had no fear of anything, and now I am insulting that by saying she could be hurt by having her name said online. But I will go along with it, until she specifically comes out and says otherwise.
For the Prithviraj lovers here, I should say he was really REALLY stand up about the whole thing. Officially issued an immediate statement of support, and said from now on he would only be in movies in which attacks on women were clearly a bad thing. He would do it only if he was playing the complete villain, the hero would not behave that way. And rumor has it that in a closed door session he is the one who put pressure on the AMMA to ban Dileep.
This case is still not resolved. It is clear that the men she said attacked her did attack her, the video was found with them. But did they do it on Dileep’s orders? Or did they do it on his behalf, without his knowledge? Or did they do it just for “fun”?
That last possibility seems the most unlikely to me, just from a common sense stand point. Why pick a famous woman who knows your faces as a random target? I suppose she could have said something that offended them and so they wanted revenge for themselves, that is the only way it makes sense to me. On the other hand, this woman was well-known to be the one who supposedly broke up Dileep’s marriage. Since that was the strongest rumor about her, it just seems logical that this was also part of the motivation for the attack. Especially since these men were friends and associates of Dileep.
No matter how or why it happened, the mere sequence of events was eye opening to me. A woman kidnapped by people she knew who videoed the event and then let her go. This is A Thing? This is behavior that can happen? This is something that is not original or surprising? Shocking, yes. Unusual, certainly. But something that everyone immediately grasped as a punishment for a woman, a way of keeping her under control, both the trauma of the attack and the continued threat of the video. It was not a new concept to folks, that is what stunned me.
Manju Warrier went back to work and, so far as I know, has not commented on this whole thing. She is now a major star again with films built around her. The actress-whose-name-we-pretend-not-to-know married her long time boyfriend and is still working. And after the AMMA banned Dileep AND THEN REINSTATED HIM, 4 of the top actresses of Malayalam cinema, along with female writers and directors and other workers, resigned from the AMMA and formed their own Women’s Cinema Collective.
I feel bad, for Manju Warrier’s birthday I am bringing up a whole series of events that, possibly, she put in motion by divorcing her cheating husband, but is certainly not to blame for. So to end I want to list out some Manju Warrier films to watch. Which will also show how the Malayalam film industry is a strange combination of amazing strong female lead films, and a dark angry misogynistic desire to control strong women.
Manju’s last film before marriage, she plays a teenage girl returning to the village to take vengeance on the powerful old man who killed her father. She wraps men around her fingers, keeps her eye on the ball and is not distracted by romance, and even gets a totally happy ending.
Manju’s return. She plays a housewife and mother who has forgotten who she is, lost the sense of ambition and energy she had as a young woman, and is turned down for jobs because of her age. But then she finds a spark and a new interest and, slowly, comes back to life.
She plays a unique young single mother, undereducated and overlooked, who is spurred to action when her son is wrongly accused of murder. It’s probably my favorite of the movies listed here.
Adah Sharma (May 11, 1992) is a Bollywood actress. Her first film was 1920 directed by Vikram Bhatt. She went on to do films like Hasee Toh Phasee and Commando 2 in Bollywood. She is also an established regional film actress.
Early life and background
Adah hails from a non-film background. Her father is a captain in the merchant navy and her mother is a Yoga instructor. She has completed her graduation in Kathak from Gopi Krishna’s Dance Academy.
Actress Anushka Sharma, the sizzling beauty of Bollywood, never disappoints fans with her fashion sense whether it’s off screen or onscreen.
She is counted among the fashion divas of the industry. This pretty and chic lady has the best dressing sense and her latest post on Instagram is proof of it.
In the photos, Anushka is sporting an all-blue cutout jumpsuit that seems to be made of out denim. It features a sophisticated halter neck, side pockets, and a hanging belt to add an edge to the entire look
Currently, she is self-quarantining with her husband Virat Kohli and her furry friends in their Mumbai apartment due to the ongoing COVID-19 pandemic.
Astey Ladies could have been a remarkable show full of dark humour and guilty pleasures. Alas, there is nothing much to write home about in the second half.
Star Cast: Anirban Bhattacharya, Ishaa Saha, Ambarish Bhattacharya, Shaheb Bhattacharjee, Trina Saha
Director: Joydeep Mukherjee
Music: Joy Sarkar
Loo Break: Not one, but many – Loo Break(s)
Watch or Not?: Only if you get a high from watching bad films!
A bored detective Mahimchandra (Anirban Bhattacharya) wants something exciting in his life.
He has a beautiful wife Sudha (Ishaa Saha) but is always lost in the world of detective novels and crime fiction. What happens when unknowingly Mahi starts following his wife’s ex-lover in his quest for thrill and where it ends is what the movie is all about?
Movie Review: Star Performance
Anirban Bhattacharya is wasted. he fails to bring the charisma and drama in proper proportions. for some reason seems disinterested from scene one.
There are minimal efforts visible in taking the character seriously. He’s just mimicking the lines without showing any range in his performance. A very flat one!
Ishaa ,Ambarish Bhattacharya,Trina only actors who did their job half-decent. Ambarish Bhattacharya is the best of the lot gets some ridiculous lines to burden the comic relief of the film.Saheb Bhattacharya is fails to create the desired impact.
Tejaswi prakash wayangankar hindi tv celeb sexy navel waist show, caps from mythological series Karn sangini.
Tejasswi / Tejasvi prakash hot karnsangini photo gallery.
Tejaswi Prakash hindi TV actress Karn sangini photos
Tejaswi prakash is an Indian televison actress.
TV Series & Shows: Sanskaar dharohar apnon ki, Swaragini, Pehredaar piya ki, Swisswale dulhaniya le jayenge, Rishta likhenge hum naya, Karn sangini.
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